The Evangelistic Choir

Our monthly music column.

By CHARLES I. KEYMER, Director of Music, Saint Louis Evangelistic Center

One of the greatest assets to the singing evangelist in leading congregational sing­ing is to have a choir. An enthusiastic choir helps to stimulate the audience to sing, and gives wonderful support to the leader. When­ever possible I would always have a choir even if it were only composed of twenty singers.

Recently in one of our evangelistic crusades we needed a choir of at least thirty-five voices to help fill up the large city auditorium stage. Our local church of 15o had a choir of fifteen voices. Starting with it as a nucleus, we made a list of other church members who could sing. These were personally invited by the singing evangelist to join the choir. Gradually others were invited and added to the list until at our third rehearsal we had a selected choir of more than fifty voices. None of the singers had trained voices, but they could sing the gospel songs. Another method of choosing a choir is to have cards printed, on which are listed items which church members can do to help in the meetings. One of the items listed is singing in the choir. Those who sing and who would like to join the choir check this item, and are then invited to the rehearsals.

Singers who are not church members could be asked to sing in the choir. Some who are attending the meetings enjoy singing with the choir. However, if there are enough members to fill the choir, we generally do not ask for help from nonmembers.

It is best to begin the organization and re­hearsals of the choir a month or more before the opening night of the meetings. This may not always be possible, but certainly we should not wait until two or three days before the opening night to organize and rehearse. A good time to call the first practice of your choir is on a Friday or a Sunday night.

At the first rehearsal the first thing to do after having prayer is to organize the sections of the choir, so that the sopranos are all to­gether, altos together, tenors together, and basses together. As I face the choir I prefer to have sopranos on the left, tenors in the left center, basses in the right center, and altos on my right.






Some of the first things that a choir should learn are how to march in to choir position, how to sit, how to stand for singing, how to hold the music. If these are done orderly and uniformly, the choir's singing will mean much more to the listeners. A robed choir makes the finest appearance ; but if robes are not avail­able, the choir will look very attractive if the ladies wear white blouses and dark skirts, and the men wear dark suits.

The first numbers that the choir rehearses should be familiar gospel songs which can be worked up as choir specials, such as, "I Re­member Calvary," "Fairest Lord Jesus," "Longing," "He Lives," "Now the Day Is Over."

By starting with the familiar songs, the choir members generally know or can easily learn their individual parts, and can spend more time in concentrating on following the director in putting real expression into the song. The choir members from the very first rehearsal must learn to watch and follow the director. To impress this upon them, the di­rector can occasionally hold a note longer than called for, or he can stop at the end of a phrase when not expected to stop. Some may continue singing and suddenly realize that they are sing­ing alone because they were not watching the director. From that time on they will not for­get to watch him.

During the rehearsals that follow each week new songs and new choruses can be introduced to the choir, along with the old familiar ones. Several weeks should be spent on a number before it is presented in a meeting. After the evangelistic meetings have started, it is very desirable to have a night during the week when there is no meeting for the choir to rehearse. If this is not possible, you may have to have your rehearsal period after a Friday or a Sun­day night meeting, but not holding past ten o'clock.

It has been proved to me that the heavy an­thems for choir specials are out of place. First, they are too hard for an amateur choir to learn; and second, most people receive no mes­sage from them and do not appreciate hearing them. The best choir specials are the simple, sacred songs, such as :

"Wonderful Grace of Jesus"

"Now the Day Is Over"

"Lead Me Gently Home, Father"

"Christ Returneth"

"Lead Me, Saviour"

"He Is a Saviour of Love"

"Make Me a Blessing"

"My Redeemer"

"What If It Were Today"

"All Hail, Immanuel"

"Lo ! He Comes"

"My Saviour's Love"

"Sail On"

"I Love Jesus"

Songs of this nature can be beautifully pre­sented with real feeling and expression, with a message to those who listen. Variety can be brought in by having solos or duets for one stanza, with the choir humming in the back­ground, or by having a mixed or male quartet sing a stanza, or by having the men or the ladies sing a stanza alone.

The Rodeheaver Hall-Mack Company is now publishing a number of gospel songs in special arrangements on sheet music which are very fine. Among these the following are excel­lent : "The Old Rugged Cross," "In the Gar­den," "Living for Jesus." "He Lives," "The Gospel Anthem," "The Holy City."

These simple, sacred songs, beautifully and prayerfully sung, make the best and most ap­preciated choir numbers. Let us make our sing­ing worth listening to, thus presenting a real message.

Ministry reserves the right to approve, disapprove, and delete comments at our discretion and will not be able to respond to inquiries about these comments. Please ensure that your words are respectful, courteous, and relevant.

comments powered by Disqus

By CHARLES I. KEYMER, Director of Music, Saint Louis Evangelistic Center

December 1949

Download PDF
Ministry Cover

More Articles In This Issue

Early Undercover Radio Activities

Perhaps only those who were intimately connected with our early denominational broadcasting can fully appreciate the full historical significance of the radio workshops recently held in Takoma Park and Saint Louis under the direction of Paul Wickman, secre­tary of the General Conference Radio Depart­ment.

"Your Story-Hour" Broadcast

About two years ago Mr. and Mrs. Jay Clymer conceived the idea of a story hour each Sabbath afternoon for the benefit of the neglected children in neighboring communi­ties.

Recent Religious Developments in America

From time to time, however, reports reach us that there seems to be a springtime of reli­gion in Russia. In the scant news that trickles through the iron curtain one realizes that the people are athirst for the Word of God.

Chapel Building in Mission Lands

In five years we completed and dedicated very nearly a hundred new Seventh-day Adventist church buildings in the British West Indies Union.

Efforts Among Catholics

The conclusion to this two-part series on how to approach efforts among Catholics.

Reasons Why Apocrypha Is Rejected

The third part of our look at the Scriptures.

Evangelism Class in Japan

Evangelism in Japan has entered a new and promising era.

Ministerial Graduate "Exchange"

I have discovered that keeping up correspondence with ministerial graduates is not only interesting but profitable to them and to us at the college.

Closer Coordination Needed

Close coordination between the minister and a diligent colporteur evangelist can bring fruitful results in soulsaving.

A Ministerial Portrait

What are the essentials of a Spirit-filled minister of God?

View All Issue Contents

Digital delivery

If you're a print subscriber, we'll complement your print copy of Ministry with an electronic version.

Sign up

Recent issues

See All
Advertisement - SermonView - WideSkyscraper (160x600)